Snowball iCE

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Blue mics have cool factor. People decide on a Blue before they know which model they want.

Budding podcasters and musicians often have a tough time choosing between the Blue Yeti and its smaller cousin the Snowball.

It’s a difficult comparison because these mics couldn’t be more different in terms of design. The Yeti is a solid, butt-kicking USB microphone. And the Snowball looks like a prop in an old science fiction flick.

Which one is better for your purposes? Let the games begin.

Recording Settings

First off, both Yeti and Snowball are more flexible than their closet competition from companies like Audio-Technica. This is because they offer a number of recording modes while others merely have a cardioid pattern that accepts sound from up front.

With the Yeti you have four settings you can switch between: stereo, cardioid, omnidirectional and bidirectional.

This opens up a lot of possibilities for recording. You can do everything from recording a one-on-one interview with just one mic or capture all the sounds in the room in 360 degrees. For full descriptions of what each recording mode does, read my Blue Yeti review.

The Snowball has three settings: cardioid, cardioid with a -10db PAD (for recording loud drums or guitars), plus omnidirectional. I describe these in more detail in my Blue Snowball review.

So, in terms of flexibility, the Yeti wins but the Snowball is certainly no slouch.

If you plan on recording your voice head-on, all this is gravy. You might be leaning toward the Snowball if you don’t plan to use your mic for different production applications. Blue mics with fewer recording patterns tend to be less expensive, and this is no exception.

Continue Reading Blue Yeti vs Snowball USB Mic
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The Snowball ICE is a stripped down version of the earlier released Snowball.

Although the Snowball is very affordable it includes features many solo podcasters and gamers will rarely if ever use. Blue recognized this and released ICE to shave down the MSRP.

If you’re a musician the choice is easy. The Snowball has an omnidirectional cardioid setting that allows you to pick up everything surrounding the mic, not just sounds in front of it. This can be used creatively to record room ambiance or to capture several instruments at once. Additionally it has a cardioid with -10dB pad setting so you can record loud guitars, drums, etc. These features are absent from the ICE.

For podcasters who want to do interviews or record commentary with more than one person speaking, the original Snowball is still the way to go since it has omnidirectional capability.

Gamers opting to ditch their headset are the only audience I recommend the Snowball ICE to. The original Snowball’s switching features are useless in this application.

Even if you hardly use omnidirectional mode or the -10dB pad, it’s well worth the small premium. Plus it will give you room to grow, as you never know if a friend might want to join in or if you’ll become interested in new recording methods as you gain experience.

Snowball and Snowball ICE sound the same and record at the same bit rate, 16-bit, 44.1kHz. For more detail on sound quality and features common to both USB microphones, read my review of the Snowball.

Oddly, Amazon.com is doing its own thing and has priced the ICE above the Snowball, at least at the moment. Unless the ICE is at least $10 cheaper, there’s no reason even those with the most basic needs should choose it over the Snowball.